Ralph Waldo Emerson once remarked of English that it is 'the sea which receives tributaries from every region under heaven.'

The English language is certainly a sea of words and constructs which has been fed into by almost every major language and ethnic tradition in the world. English began as a hodge-podge of languages, never pretending to the 'purity' of more continental or extra-European languages (which, by the by, were never quite as pure as they like to assume).

The book 'The Story of English', as a companion piece to accompany the PBS-produced series of the same name, hosted by Robert MacNeil, late of the MacNeil/Lehrer NewsHour, is an articulate, engaging, wide-ranging and fair exposition of an ordinarily difficult and dry subject.

The study of English is difficult on several levels. 'Until the invention of the gramophone and the tape-recorder there was no reliable way of examining everyday speech.' What did English sound like 200 years ago, or 400 years ago? 'English is--and has always been--in a state of ungovernable change, and the limits of scholarship are demonstrated by phrases like the famous 'Great Vowel Shift', hardly more informative than the 'unknown land' of early cartography.'

Of course, written language has until modern times been the limited and limiting commodity of a very small minority of people. The balance between the written and spoken language has a variable history, which can still be seen today (compare the writing of the New York Times against the speech patterns and vocabulary choices of any dozen persons you will find on the street in New York City, and this divergence will be readily apparent).

English has many varieties, and this book explores many of them, explaining that the writings and speech-patterns we see and hear as being foreign are actually English variants with a pedigree as strong as any Oxford University Press book would carry. From the Scots language which migrated to the Appalachian mountains to the Aussie languages adapted to Pacific Islands, to the ever-changing barrow speech of inner London, English speakers have a wide variety of possibilities that no one is truly master of all the language.

'If our approach seems more journalistic than scholastic, we felt this was appropriate for a subject that, unlike many academic studies, is both popular and newsworthy. Hardly a week goes by without a news story, often on the front page, devoted to some aspect of English: the 'decline' of standards; the perils and hilarities of Franglais or Japlish; the adoption of English as a 'national' language by another Third World county.'

English is, for international trade and commerce, for travel, for science and most areas of major scholarship, and many other groupings, the language not only of preference, but of required discourse.

In trying to find the length and breadth of English infusion into the world, past and present, MacNeil and primary authors Robert McCrum and William Cran have produced an engaging history, literary survey, sociology, and etymological joyride. By no means, however, are the major streams of English overlooked in favour of the minor tributaries--Shakespeare warrants most of his own chapter, as is perhaps fitting for the most linguistically-influential of all English speakers in history.

Of course, about this same time, the Authorised Version of the Holy Bible (better known as the King James Version) was also produced, with its own particular genius of language. 'It's an interesting reflection on the state of the language that the poetry of the Authorised Version came not from a single writer but a committee.'

There is a substantial difference in aspect of these two works -- whereas Shakespeare had a huge vocabulary, with no fear of coining new words and terms to suit his need, the King James Bible uses a mere 8000 words, making it generally acceptable to the everyman of the day. 'From that day to this, the Shakespearian cornucopia and the biblical iron rations represent, as it were, the North and South Poles of the language, reference points for writers and speakers throughout the world, from the Shakespearian splendour of a Joyce or Dickens to the biblical rigour of a Bunyan, or a Hemingway.'

From Scots to Anglesey, from the Bayou to the Barrier Reef, English is destined to be a, if not the, dominant linguistic force in the world for some time to come, particularly as the internet, the vast global communication network, is top-heavy with English, albeit an ever changing variety.

Revel in the glories of the English language, and seek out this fun book. Everyone will find something new.

After watching the series it is fun to see the information in print.

Just about everything you ever wanted to know about the English Language is in this book. There are newer and older references but none so complete and at the same time readable. This book covers history, usage, almost usage and possible futures of the language.

One of my favorite antidotes was the one about how the Advisory Committee on Spoken English (ACSE) discussed the word "canine":

"Shaw brought up the word 'canine', and he wanted the recommendation to be 'cay-nine'... And somebody said 'Mr. Shaw, Mr. Chairman, I don't know why you bring this up, of course it's 'ca-nine'. Shaw said, 'I always pronounce things the way they are pronounced by people who use the word professionally every day.' And he said, 'My dentist always says (cay-nine)'. And somebody said, 'Well, in that case, Mr. Chairman, you must have an American dentist.' And he said, 'Of course, why do you think at 76 I have all my teeth!'"

After reading about how English came about, the next book to read would be "Divided by a Common Language" by Christopher Davies, Jason Murphy

I read this book back in my 'English Conversation Teacher' days in Japan. Having been embrassed one to many times by students having to lecture me, their teacher, on the history of English, I figured I should do some 'catch-up reading.' I asked around for suggestions and was recommended 'The Story of English'.

It is free of the linguistic jargon most general readers would find pedantic, and although it is aimed at the general reader it is never condescending. The first half of the book explains the historical development of English while the second half focues on modern English.

Most refreshing though, is that it is free of the triumphalism found in many books of this kind. Reflecting the demographic reality of English today, it gives even-handed attention to the many contemporary varieties of English spoken around the world in places such as North America, Singapore, India, the Anglophone West Indies, and so on.

'The Story of English' is best suited to those who are curious about the origins as well as the future of English, and who want an easy-to-understand introduction to the subject.

I really didn't know what to expect when I picked this book up. A friend heard the author lecture on Shakespeare and bought a copy for our daughter, a Ph.D. candidate in English (Shakespeare). She sent it to us to deliver, since she didn't have our daughter's address. My wife and I both read a little bit, and then decided we had to read it all. Our daughter will have to write a thank-you for a used book.
Engel belongs to the school of biographical literary criticism, and thinks that authors' works are influenced strongly by their lives and the times in which they live them. The brief, and partial sketches of these nineteen literary greats are based on his classroom lectures. All I can say is that I wish he had been one of my teachers. These lectures in writing are cleverly written, with a very pleasing dry wit, and are informative while being interesting. Do you know the origin of the term "box office" and the actors' wish to "break a leg"? You will after you read Engel's snapshot of Shakespeare. And no one ever told me before that Chaucer was satire. Finding this book was a fortuitous accident. I hope my daughter enjoys it as much as I did.

If you've ever heard one of Dr. Engel's lectures, you know what a captivating storyteller he is. Now, for the first time, the content of his lectures has been put into book form. You can almost hear his voice as you read through the pages of this book.

As other reviewers have already stated, A Dab of Dickens is a collection of short biographical sketches of over a dozen of the greatest authors of all time. What is unique about these sketches is that, although they are short, they are filled with fascinating tales about the lives of our most beloved authors - tales that I am sure most of us did not ever know. For instance, I was fascinated to find that when he was only 3 years old, Edgar Allan Poe was forced to sit on the front row of the theatre and watch his mother, who played Juliet, stab herself and "die" - eight times a week. No wonder he wrote the kind of macabre stories that he did!

The great thing about Dr. Engel's new book is that it gives you just enough to keep your interest, it doesn't overwhelm you, and it makes you want to know more. You want to keep reading the chapter on Poe because you just cannot believe that even more horrible things could have possibly happened to one person. You may be bored by Ernest Hemmingway (for instance), but you don't mind reading his entire chapter because it's not information overload. And at the end of this wonderful book you have a list of authors whose major works you now cannot wait to read.

If you love literature and are fascinated by the authors who have brought us so many priceless works of art, this book is for you. If you don't know much about literature at all but are curious to find out more, this book is for you as well. But this book is also perfect for the person who hated English class in high school, avoided literature like the plague in college, and has been glad to forget it completely ever since. I promise that even you will find something fascinating and inspiring among the pages of this book.

I heard Elliot Engel speak recently. I found him to be one of the most entertaing and informative speakers I have heard. So I bought A Dab of Dickens and found it equally captivating. He takes a subject that I found rather laborious in school a long time ago and makes it come alive with anecdotes about the author's lives and brief analyses of some of their works. I could not put it down. In a relatively short chapter on each of 17 of the greatest authors in the English language from Chaucer to Robert Frost he gives fascinating, little known stories of their childhoods, loves and careers. He then briefly analyzes one or two extracts from their works to demonstrate why they are recognized as the greatest. And he does it with easy to read eloquence and humor. I was so impressed that I just bought three more copies for gifts to my adult kids and friends.

Back in college I took a course entitled "Vietnam: An American Perspective", this opened me up to a wealth of literature on the Vietnam experience and the impact it has had on our nation as well as our culture. Therefore, when a friend of mine told me about this book, I had to get it. There are many books about Vietnam, each with different perspectives. Some discuss the historical or political issues, others may discuss the theological, moral, or philosophical issues. This book doesn't do any of those things. It goes one better, it deals with the human condition and how the horror of war impacts it. "West Dickens Ave" tells the story of one young marines experience in Khe Sanh during the height of the Vietnam War. This first person account is an incredible story of what our soldiers went through. Corbett's narrative and style submerge the reader right into the action, you feel like you're there, but you thank God you're not. Once I started reading I was unable to put the book down, I was so captivated that I couldn't turn the pages fast enough. I highly reccommend this book, and would like to thank the author for sharing his story with me.

As a country we seem to forget all of the men, woman, and children who's lives are drastically changed or taken by war. History repeats itself, and this book should be an inspiration to our youth to change the pattern. I am proud of my Uncle Jack for putting his thoughts and emotions out there for the whole world to judge. Honor all of our brothers and sisters who stand up for your rights by giving up their youth or holidays with their children. My Grandma passed away only 7 months prior to the books release, but those who knew her loved her. She and my Grandfather raised 8 childern, all who I am proud to know.They are surely smiling down on Jack now!

This is the first Viet Nam book that I have read and it has opened my eyes. An excellent 1st person account of what it was like to be on a fire base. Jack is a friend of mine and he has hit the nail squarely on the head with his depiction of what it was like for American kids growing up in Viet Nam. Just because you were on a fire base, didn't mean you were safe. Shelling, sappers, friends, stupidity, sleepless nights, the overlooked heroism, were all a part of it. Large bangs still make me jump. I used to feel guilty about having "only" been on a fire base. No more. I whole heartedly endorse this book.

I'll not insult you all by describing the action of this classic novella, nor belabor the lesson taught. I'm sure even Mowgli the Jungle Boy must have heard this story once a year growing up in the jungle. But with all the TV and movie and cartoon and Muppet iterations (the best of which remains the 1951 Alastair Sim movie version), when's the last time you went back and actually read the original book?

Dickens is, of course, a wonderful author and earlier generations read everything that he wrote. Today, however, you read an obligatory novel or two in High School, breath a sigh of relief that's over and then blithely ignore him along with the rest of the ancients. But, as a reacquaintance with A Christmas Carol will remind you, he remains pretty accessible and his novels are often quite fun. What's more, there's even a Reading Version (available online) of the story that Dickens condensed himself for his numerous public readings of the tale. It's perfect for reading aloud to the family.

Here's just a sample of the prose to entice you:

On Scrooge before: Oh! But he was a tight-fisted hand at the grindstone, Scrooge. a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn't thaw it one degree at Christmas.

and Scrooge after: Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did not die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins, as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him.

He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!

We, all of us, have a tendency to let the classics become so encrusted that we take them for granted and forget how good they really are; if this has happened for you with A Christmas Carol, do yourself a favor and dig out a copy and reread it this Holiday Season. I bet it becomes an annual tradition.

GRADE: A+

This edition of Charles Dickens classic is doubly wonderful in its timeless tale of redemption as well as the wonderful illustrations executed by American artist Everett Shinn. In no way either slick or modern, when one is handed the book, it seems as you are holding an artifact from another time; a time of coal fires, slate roofs, horses in the streets, a time that predates the sad state of comercialism that permeates contemporary Christmas season. In its simplicity of story and its fine nostalgic illustrations it becomes a treasure to be handed down through one generation to the next.Hope dwells here.

This version of the Dicken's classic is magnificently illustrated by one of America's foremost artists.

Dear friends. After twelve and one half years of loving life, Dickens died this past April. Fortunately,he had only one sick day at the end. I'm lucky to have had this wonderful five star cat's company. I'm grateful that his charm lives on and that so many people got to know him through his book. Thank you. Tom Bianchi

I collect cats books and this is absolutely the best! The black and white pictures are taken with superb skills and perspective. The text carries an elegant sense of humour. It is a complete visual entertainment for a cat lover.

I picked up this book on a whim -- and am ever grateful I did! The pictures of Little Dickens make me not only want to take up photography, but buy an Abyssinian also.

How did he catch that shot of sweet little Dickens in mid sneeze, I can't help but wonder!

Buy this book if you need a pick-me-up, or know someone who does, it's like comfort food for the eyes. Even if you believe you are a "dog person," you won't be able to avoid being delighted by the candid images Tom Bianchi shares in this book.

With the Friendly Dickens, Norrie Epstein succeeds in what must surely have been one of her goals: she makes you want to read every Dickens novel you haven't yet read and reread every one you have. Along the way she gives you an overview of Dickens' life and of his times, in an enjoyable, idiosyncratic style that makes highly engaging reading. Want to know how Dickens wrote or why Victorians got off on deathbed scenes? It's in there, along with sections on food, drink, sex, freaks, Dickens' illustrators, a filmography, and more. Of particular interest are the explanation of just why Pickwick was so popular and the musings on Victorian mores versus contemporary ones. About the only thing that could have made this book more complete was a recipe for rum punch.

ANYONE interested in Dickens should own this book. It is vast in scope and full of accessible detail. Each novel is put into unique perspective(from cannibalism and dying children to physical oddities and real-life locales that inspired his tales), the author's life is made personable, the time period is explained (its mores and mannerisms), and modern film/stage performances are analyzed.

The mood is much the same as a Dickens novel. Witty, sentimental, serious, fanciful, morose. Epstein touches upon every facet. There are pictures galore and chapters are concise so you aren't stuck in one place too long. The nitty gritty nutty facts drew me in ~

the 'Pickwick Papers' contains 35 breakfasts, 32 dinners, 10 lunches, 10 teas, 8 suppers, more than 249 references to drinking, and mention of 59 Inns, 33 by name (someone had time on their hands)

There are 13,143 characters created by Dickens

Before he could begin a novel Dickens would take to the city streets of London and walk as fast as he could for hours

The 20 guineas Pip gets in 'Great Expectations' translates to about $4000 TODAY - puts it into perspective.wow!

Miss Epstein has a gift for communicating, in a lively and acessible manner, her knowledge about and enthusiasm for her subject. Her scope ranges from the broad social and economic factors affecting daily life down to such tiny details as the amount of horse manure tons left every year on the streets in Dickens' London. She is just as good about the books themselves, providing fresh and sensible interpretations of novels as familiar as "Great Expectations" and "David Copperfield" or as obscure as "Barnaby Rudge" and "The Mystery of Edwin Drood." Her Dickens filmography is the best we've ever had. This is a useful and delightful book.

Buttercup sings to the Captain of HMS Pinafore, "Things are seldom what they seem, Skim milk masquerades as cream." This is what Bruce Bueno de Mesquita would have the reader believe about the reviled Ebenezer Scrooge. In a dramatic trial, with Tiny Tim acting for the defense and Professor Blight serving as the righteous prosecutor, the reader in the jury box is asked to reconsider long-held beliefs about the alleged miser and merciless employer immortalized in Charles Dickens' A Christmas Carol. For this page-turner novella, a knowledge of Dickens is helpful but not required. In the end, you decide if Scrooge deserves a place in Heaven, or elsewhere. A perfect Christmas stocking stuffer and a great gift any time of year.

I can count the number of books I have read in one sitting on the fingers of one hand, and this book is one of them. This magnificant novel takes off where Dicken's A Christmas Carol left off. This beautifully written and fast paced book presents the compelling story of God's trial for the soul of Ebenezer Scrooge, offering Tiny Tim as his defending attorney. Skillfully drawning upon meticulous historical research, Bueno de Mesquita establishes the counterintuitive argument that perhaps Scrooge, and thus Dickens, may have been misunderstood. Part mystery concering the outcome of the trial, part morality tale about the true meaning of kindness in life, and part fascinating historical education, this book will be a delight for fans of the original Dicken's book as well as for those who have never read it, and can thus approach this book on its own terms. This novel cleverly encourages readers not only to reevaluate Scrooge, but also inspires us to rethink the critical judgments that we often make too easily of others. This is a book that stays with you long after you read it. Scrooge reminds us that there are many ways to be the best person we can, and as many ways to bring out the best in those we care about.

The Trial of Ebenezer Scrooge challenges our presumption of Dickens' classic tale, "A Christmas Carol". Was Scrooge really a friendless miser? Set as a Faustian trial, Tiny Tim must prove before a court of the Almighty that Scrooge's soul is worthy of entry into heaven. Set against our prejudices, and a court room of Scrooge's detractors, Tiny Tim composes a defense based on primarily on Dickens' own words, supplemented with contemporary evidence from Christmas 1843. With perhaps overtones towards governance, Prof. Bueno de Mesquita -who is a distinguished political scientist-- questions whether conspicuous generosity to some at the expense of others is superior to even handed meanness. As the story unfolds Scrooge's salvation remains perilously balanced with threats always emerging from unsuspecting quarters.
Although the Dickensian style is somewhat ponderous, this is a fascinating tale that confronts our understanding of righteousness. It is well worth a read.

After years without picking up a novel by Dickens (memories of starchy classes at school), I decided to plunge into "Bleak House", a novel that had been sitting on my bookshelf for about ten years, waiting to be read. Although I found it heavy going at first, mainly because the style is so unfamiliar to modern readers, after about ten pages I was swept up and carried off, unable to put the hefty tome down until I had finished it. This book is a definite classic. The sheer scope of the tale, the wit of the satire (which could still be applied to many legal proceedings today) and the believable characters gripped me up until the magnificent conclusion. One particularly striking thing is the "cinematic" aspect of certain chapters as they switch between different angles, building up to a pitch that leaves the reader breathless. I can't recommend "Bleak House" too highly. And I won't wait so long before reading more Dickens novels.

This is the second book by Dickens I have read so far, but it will not be the last. "Bleak House" is long, tightly plotted, wonderfully descriptive, and full of memorable characters. Dickens has written a vast story centered on the Jarndyce inheritance, and masterly manages the switches between third person omniscient narrator and first person limited narrator. His main character Esther never quite convinces me of her all-around goodness, but the novel is so well-written that I just took Esther as she was described and ran along with the story. In this book a poor boy (Jo) will be literally chased from places of refuge and thus provide Dickens with one of his most powerful ways to indict a system that was particularly cruel to children. Mr. Skimpole, pretending not to be interested in money; Mr. Jarndyce, generous and good; Richard, stupid and blind; the memorable Dedlocks, and My Lady Dedlock's secret being uncovered by the sinister Mr. Tulkinghorn; Mrs. Jellyby and her telescopic philanthropy; the Ironmaster described in Chapter 28, presenting quite a different view of industralization than that shown by Dickens in his next work, "Hard Times." Here is a veritable cosmos of people, neighbors, friends, enemies, lovers, rivals, sinners, and saints, and Dickens proves himself a true master at describing their lives and the environment they dwell in. There are landmark chapters: Chapter One must be the best description of a dismal city under attack by dismal weather and tightly tied by perfectly dismal laws, where the Lord Chancellor sits eternally in Lincoln's Inn Hall. Chapter 32 has one of the eeriest scenes ever written, with suspicious smoke, greasy and reeking, as a prelude to a grisly discovery. Chapter 47 is when Jo cannot "move along" anymore. This Norton Critical is perhaps the best edition of "Bleak House" so far: the footnotes help a lot, and the two Introductions are key to understanding the Law system at the time the action takes place, plus Dickens' interest in this particular topic. To round everything off, read also the criticism of our contemporaries, as well as that of Dickens' time. "Bleak House" is a long, complex novel that opens a window for us to another world. It is never boring and, appearances to the contrary, is not bleak. Enjoy.

"There is little to be satisfied in reading this book"?? I couldn't disagree more. Bleak House left a profound impression on me, and was so utterly satisfying a reading experience that I wanted it never to end. I've read it twice over the years and look forward to reading it again. Definitely my favorite novel.

I don't know what the previous reviewer's demands are when reading a novel, but mine are these: the story must create its world - whatever and wherever that world might be - and make me BELIEVE it. If the novelist cannot create that world in my mind, and convince me of its truths, they've wasted my time (style doesn't matter - it can be clean and spare like Orwell or verbose like Dickens, because any style can work in the hands of someone who knows how to use it). Many novels fail this test, but Bleak House is not one of them.

Bleak House succeeds in creating a wonderfully dark and complex spider web of a world. On the surface it's unfamiliar: Victorian London and the court of Chancery - obviously no one alive today knows that world first hand. And yet as you read it you know it to be real: the deviousness, the longing, the secrets, the bureaucracy, the overblown egos, the unfairness of it all. Wait a minute... could that be because all those things still exist today?

But it's not all doom and gloom. It also has Dickens's many shades of humor: silliness, word play, comic dialogue, preposterous characters with mocking names, and of course a constant satirical edge. It also has anger and passion and tenderness.

I will grant one thing: if you don't love reading enough to get into the flow of Dickens's sentences, you'll probably feel like the previous reviewer that "...it goes on and on, in interminable detail and description...". It's a different dance rhythm folks, but well worth getting used to. If you have to, work your way up to it. Don't start with a biggie like Bleak House, start with one of his wonderful short pieces such as A Christmas Carol.

Dickens was a gifted storyteller and Bleak House is his masterpiece. If you love to dive into a book, read and enjoy this gem!

Monica Dickens, the great-grandaughter of Charles Dickens, fits into the "good sport" type of memoirist, recalling life experiences for which she was quite unprepared. I think of Betty MacDonald's "The Egg and I." Apparently well-to-do, Ms. Dickens decided to work as a Cook General for a couple years during the 1930's. The book is a chronicle of her relationships and experiences with various employers. I fully expected that the various households would blend into each other but was delighted to discover how vividly the personalities were portrayed, and so they remained distinct. Most memorable was the clothing designer with a constant finger on the call button, a mistrust of her spending habits and a penchant for draping her in fabrics to envision his newest creations. Some may have a problem with the fact that Ms. Dickens took on the job as a lark and could return to her comfortable life at any time, but the fact is that she really was up to her elbows in the muck of a 1930's kitchen. All in all, I found it a delightful read, although the final chapter which recounts a lecture on "The Problem of the Servant Today" is tedious and merely restates in an arid manner the "problems" so well-documented in the rest of the book.

This was one of the most delightful books I have read in ages. Monica Dickens (great-granddaughter of Charles), despite her privileged upbringing, despite being presented at Court as a debutante, is bored and has little desire to do the rounds of social events expected of a young upper class girl in the mid 1930s. And so she decides to try her hand at domestic service. If you have ever enjoyed watching the wonderful "Upstairs Downstairs" series or reading other tales which reflect the upstairs downstairs lives of the British class system, this is for you. It is light, entertaining and the author writes so fluidly, it has inspired me to begin reading more of her works.

Looking for a light but well-written book? This is it. Absolutely charming.

A Christmas Carol is one of the best known holiday stories and still one of the best. Dickens perfectly unfolds his characters and gets the reader into the Christmas mood. He also does the unthinkable by making us sympathize with the moody, unfestive Scrooge. The original version is the one to get, though, as the abridged version makes Scrooge's exciting encounters with the spirits (especially his meeting with Marley) far too short. This book is certainly affordable and will get you into the Christmas spirit, as well as help you rediscover the true meaning of the holiday.

I think this is a great book written by Charles Dickens. Dickens is awesome at describing the setting in the story which gives you a real feeling of the story. The story is about a mean old man named Ebeneezer Scrooge. But with the help of a few ghosts and his dead business partner Jacob Marley, can Scrooge change his way of life before Christmas? This is an awesome book, and I recommend it to anyone who loves a good book to read just before Christmas.

Most people in the western world are probably familiar with the tale of Ebeneezer Scrooge in A Christmas Carol, by Charles Dickens. The story has been made into dozens of television and film versions, but I think the written version still stands above film.

Dickens' language is very descriptive, and he paints clear pictures of his characters. Take Scrooge, for example:
"Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire, secret and self-contained, and solitary as an oyster."

Another strength of Dickens was showing the common man, sometimes with quiet dignity, as in the case of Bob Cratchit, and sometimes at his lowest, as in the case of the workers at the pawnbrokers hawking Scrooges goods.

The images of Jacob Marley's ghost "wearing the chains he forged in life" are very vivid, as are the souls that Scrooge sees out his window.

Scrooge is forced on a journey by three spirits, the ghosts of Christmas Past, Present and Future. All of the scenes have distinct images and evoke intense emotions within Scrooge. The reader feels part of his change. I never did quite understand why his father treated him so poorly, but that he did contributes to the man Scrooge becomes.

In the end, Scrooge is a changed man and goes out of his way to share his generosity.

I recommend this book for children and adults alike, because the story is timeless and Dickens practicallly defined the quintessential Victorian Christmas. The name Scrooge and 'Humbug' will forever be linked, and the name has come to define someone miserly or without holiday spirit.

What day is it?
It's Christmas Day!